Footage off set, checked, synced and ready for editorial the same day — handled by our own team at 3–4 Kirby Street, London. No third-party hand-offs, no waiting on a courier across town.
Footage is offloaded and checksum-verified the moment it arrives, so nothing leaves set without a confirmed, secure backup.
Picture and sound are synced, then checked over by our team — flagging anything that needs a reshoot before it's too late.
A baseline grade is applied so dailies already reflect the intended look, overseen by our in-house colourist.
Dailies go out to editorial and producers via secure encrypted delivery, while a full backup is archived for the length of the shoot.
Because dailies and edit support both run out of our London office, there's no gap between what happens on set and what your editor sees the next morning. One team, one point of contact, from the first day of the shoot through to picture lock.
Digital dailies are run from our edit suites at Kirby Street — footage can be dropped off in person, sent by secure courier, or uploaded directly if you're shooting nearby.
